Big Room Drops by Loopmasters is a solid, affordable Massive preset pack for big room EDM producers, but it’s stuck in 2016 and locked to a synth most new producers no longer own.
Big Room Drops (Patchworx 79) ships 67 Massive presets, 77 WAV loops, and 73 MIDI loops for $19. If you already own NI Massive and you produce big room EDM, this is one of the cheapest ways to stock your template with dancefloor-ready drops. If you’ve moved to Massive X, or if you don’t own Massive at all, stop reading now. This pack doesn’t work for you, full stop.
For the producers who clear that compatibility hurdle, here’s the honest breakdown of what you get, where it delivers, and where it falls short compared to what the genre sounds like in 2026.
What You're Actually Getting Inside Big Room Drops
The 244 MB download breaks down like this: 67 Massive presets split across 8 Bass, 26 Drop, 5 FX, 10 Lead, 2 Perc, 5 Pluck, 5 Poly, and 5 Synth patches. The 26 Drop presets make up 39% of the collection, which tells you exactly what Loopmasters was prioritising.
Beyond the presets, you get 24-bit WAV versions of selected patches as audio loops, plus 73 MIDI loops you can route through any synth you own. The MIDI files are the sleeper asset here. They work with your own sounds, which extends the usefulness of this pack well beyond Massive itself.
The Good: Where This Pack Actually Delivers
Load “Sidechain Saw Lead” into Massive and the macro assignments are already set up for sidechain depth, filter cutoff, and reverb mix. We dropped it straight onto a channel, set the sidechain input, and it sat in the mix in under two minutes. That’s the experience these presets are designed for: fast results, not sound design lessons.
The 26 drop presets are the strongest section. We ran through about a third of them against a basic big room kick pattern at 128 BPM. The layering between the supersaw leads and the low-mid movement is handled well. Nothing required aggressive EQ surgery to clear out the 300-400Hz range. For a $19 pack, that’s satisfying.
The MIDI loops are a genuine bonus. We fed several of them through a Serum patch we already had in a project. The melodic content holds up. Two of the lead MIDI loops had phrasing that felt less predictable than the usual two-bar arpeggios you get in this price bracket. Clever writing, even if the sonic delivery is dated.
The royalty-free licence is clean. No splits, no registration, no performance rights issues. You bounce it, you own it commercially.
The Not-So-Good: Real Problems Worth Naming
Eight bass presets is frustrating for a genre where the sub and mid-bass relationship defines the drop. We’d want at least 15-20 bass patches in a pack called Big Room Drops. The two perc patches border on pointless. Big room percussion design is its own world, and two patches don’t scratch it.
The sound design is from 2016. That’s not a criticism of quality at release. It’s a practical problem in 2026. The big room genre has moved toward harder, more compressed transients and less reverb wash on the leads. Several of these presets have tails that feel wide and diffuse in a way that fights modern mix standards. You’ll likely pull the reverb return down 3-4 dB on most of them and tighten the release on the amp envelopes.
The Massive X incompatibility is the biggest blocker. NI markets Massive X as the current product. Many producers who bought a newer NI bundle never installed original Massive. If that’s you, this pack is worthless to you. Loopmasters doesn’t hide this, but it’s not prominently flagged either. Check before you buy.
How It Compares to the Alternatives
Best Massive preset packs for EDM producers
Packs like Massive Big Room Sounds from Ghosthack cover similar territory with more bass presets and tighter category balance. Some are free. The sound design is comparably dated, which matters less when you’re paying nothing.
If you’re willing to spend more, preset packs built natively for Serum or Vital cover the same genre with modern wave tables and significantly more macro depth. Serum’s modulation routing beats Massive’s at this price point for flexibility.
Big Room Drops wins on one thing specifically: the MIDI loop quality at this price. If you want genre-appropriate MIDI you can drop into any synth, $19
Who Should Actually Buy This
✅ Buy if you run NI Massive 1.5.1 or higher and produce big room EDM actively. ✅ Buy if you want production-ready MIDI loops you can use with any synth. ✅ Buy if you’re on a tight budget and need a fast shortcut for drop sounds in your template.
❌ Skip if you’ve moved to NI Massive X. These presets will not load. ❌ Skip if modern big room (2023 onward) is your reference. The sound design will need heavy reworking. ❌ Skip if bass design is central to your workflow. Eight presets isn’t enough.
Score Breakdown
| Category | Score | Notes |
|---|---|---|
| Sound Quality | 3.0/5 | Competent for 2016, noticeably dated against 2024-2026 big room references |
| Value for Money | 4.0/5 | $19 for 67 presets, 77 WAVs, and 73 MIDI loops is hard to argue with |
| Ease of Use | 4.0/5 | Macro assignments are practical; no deep editing needed to get results |
| Features | 2.5/5 | Category distribution is unbalanced: bass and perc sections are too thin |
| CPU Efficiency | 3.5/5 | Performance is entirely down to your Massive instance, not the presets themselves |
| Overall | 3.4/5 | Good price, real MIDI value, held back by compatibility issues and dated sound |
Alternatives Worth Checking First
If you’re not locked into Massive, best Serum presets for big room EDM will give you more flexibility and more current sound design. Serum’s wavetable engine and deeper modulation routing put you closer to where the genre is in 2026.
If you want inspiration from a plugin that handles its own layering and synthesis with less preset dependency, check our Big Swarma review. Different territory, but it shows what a well-designed modern sound tool looks like versus a dated preset bank.
For drum and percussion work alongside any big room preset pack, DC Snares and BigKick Bundle review covers the transient design side that Big Room Drops completely leaves out.
Final Verdict
We’d buy this if we were already sitting in front of a Massive session. We wouldn’t buy it to justify keeping Massive installed.
The MIDI loops alone are probably worth $10 of the $19. The drop presets deliver on their brief. The rest of the pack feels like it was filled out rather than designed. Two perc presets in a genre that lives and dies by percussion tells you where the priorities weren’t.
At $19, it’s not a disaster. It’s an old tool for an old synth that still has users. If you’re one of them and you need drop presets fast, buy it. If you’re on Massive X, save your money.
Frequently Asked Questions
Does Big Room Drops work with NI Massive X?
No. The presets are built for NI Massive 1.5.1 and above, and they are not compatible with Massive X. The two synths use different preset formats and different synthesis architectures. If Massive X is your main synth, this pack will not load and is not useful to you.
Are the WAV and MIDI files royalty-free for commercial use?
Yes. All audio content in Big Room Drops is licensed royalty-free. You can use the WAV loops and MIDI files in commercial releases without paying additional fees or splitting royalties. This applies to the audio content; the presets themselves require NI Massive to function.
Can I use the MIDI loops with synths other than Massive?
Yes, and this is one of the better reasons to buy the pack. The 73 MIDI loops are DAW-agnostic. You can drop them into Ableton, Logic, FL Studio, or any MIDI-capable environment and route them through Serum, Vital, Sylenth1, or any synth you own. The melodic content works independently of Massive.
Is Big Room Drops still relevant for producers in 2026?
It depends on your references. If you're producing big room sounds aimed at 2016-era festival energy, the presets hold up for fast results. If your references are current big room and hardstyle-influenced EDM from 2023 onward, the sound design will feel soft and wide. Expect to tighten amp releases and reduce reverb returns on most patches before they sit correctly in a modern mix.